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With news cameras flashing, adult film performer Cameron Bay told reporters that in her last porn shoot before testing positive for HIV, her partner's penis was bleeding -- and he wasn't wearing a condom. After stopping momentarily, the cameras continued rolling, she said.

Bay, whose positive HIV test sparked the first of two porn moratoriums in the last month, spoke Wednesday at a Hollywood press conference with other adult film performers, including two who said they also contracted HIV this year. The press conference was coordinated by the AIDS Healthcare Foundation, which advocates for mandatory condom use in porn.

Five current and former porn performers spoke about the dangers and uncertainty of life in the adult film industry. While the performers said they can't be sure when and where they contracted HIV, they agreed the industry is not adequately protecting its performers.

"There were up to 50 people in the room with us. And we were laying on top of them. And they were touching inappropriately," Bay said. "It all happened so fast. I didn’t realize how unsafe it was until I saw the pictures ... You're on a whole other level when you're doing something so extreme."

Bay told HuffPost last week that condoms were available, but not required at the shoot. She said she didn't think she needed to use a condom because her male costar had recently tested negative for sexually transmitted diseases, and she left the choice up to him. confirmed to HuffPost that Bay was offered a condom, but it was not used.

Porn performer Patrick Stone told reporters he was asked to perform in a shoot even after he tested positive for HIV. He said he was told he was HIV-positive in an email on Sept. 10 from Performer Availability Screening Services, which handles STD testing for the industry. Stone said he never got a follow-up call or email from PASS, or from his employer, to discuss the results or schedule follow-up testing. Instead, he got an email from two days later inquiring about scheduling a shoot this week, he said.

"It's been kind of a whirlwind week for me emotionally," Stone said. "I feel that the testing process for PASS is not working. If I was allowed to fall through the cracks like I did, who else is out there?

"He had tested negative for us previously. Because of the moratorium, tests were not updated on the PASS system for producers (because no one was cleared for work)," Mike Stabile, spokesman for, said in an email to HuffPost. "He would have been required [to take] a new test regardless before shooting."

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In March, porn star Aurora Snow told the Daily Beast that "on-camera race relations are a complicated topic" in porn's "fantasyland." The myth is that white women who don't have sex with black men on camera earn more. Snow, who is white, was asked, point blank when she got into the business, whether or not she "did interracial." But some agencies only have a small group of performers willing to do interracial.

In an age in which multiracial families are among the fastest growing in the nation, it is hard to fathom that there is a national industry, $10 billion strong, in which interracial couplings are considered career suicide. It seems that the historical taboo of black men sleeping with white women is one sexual hang-up that even the porn industry is unwilling to get over.

But! Scenes between white men and black women? Very popular. It's just black men that are somehow considered taboo. (Thai porn star Keni Styles once said that women who have worked with him will tell him they don't do interracial; they don't see working with him as interracial sex — that means black guys.)

Mark Potok, a senior fellow at the Southern Poverty Law Center, which tracks hate groups, is not particularly surprised that there are those who still frown on sex between black men and white women, telling The Root, "Racism has so much to do with sex, and always has. The first era [Ku Klux] Klan was absolutely obsessed with fear of white women being violated by black men."

When asked about the popularity of other interracial pairings in porn, Potok replied, "It is remarkable how attractive to certain people what looks forbidden is. It is mind-blowing how often we discover the Klan leader with the black transvestite or the neo-Nazi leader with the black girlfriend. It happens very frequently."

Goff interviews black porn performer Misty Stone, who reveals that black women in porn are consistently paid substantially less than white women, no matter the project. And while a white performer can get away with refusing to work with black men, Stone says that as a black woman, "it would not go over well" if she refused to work with a white man.

Sounds like something that's been said about modeling. It's hard not to compare the two, since they're both about fantasies, deal with physical performance, and the participants stand to earn a lot of money. And as long as the folks running both industries have a narrow view of what's desirable, the problem will persist.

On a late-summer afternoon in a dingy San Fernando Valley apartment, talent agent Mark Spiegler is having it out with a producer. Pacing the length of the living room that for the past nine years has doubled as his office, Spiegler, portly with thinning brown hair and a graying 5 o'clock shadow, sets out his demands: If his client, a top actress, is going to agree to a project, certain accommodations must be made. "You want her ready at 8, you should do the makeup," Spiegler barks as he stomps past a bookcase filled with framed photos of himself with various women. "If you want her later, she'll do her own makeup."

Spiegler's spat over the call time might seem familiar to agents at the CAAs and WMEs of Hollywood who often find themselves protecting their star clients from producer demands. But Spiegler has a particular reason for being concerned about the 8 a.m. shoot: It would require his client to get up around 4:30 a.m. to receive an enema. Because the scene calls for the woman to perform anal sex.

Yes, Spiegler, 54, represents porn stars -- and he's one of the biggest agents in Los Angeles' $1 billion adult entertainment industry. As the Ari Emanuel or Kevin Huvane of hardcore, he handles such top performers as Skin Diamond, Chanel Preston and Asa Akira , the client for whom Spiegler is arguing.

Ultimately, the production company, New Sensations, will agree to delay the shoot for Akira, 27, who will do her own makeup and be paid about $2,000 for the scene. "That's the whole reason for us being here," says Spiegler, whose boutique firm, Spiegler Girls, represents a small group of elite women and is known as one of the adult industry's top agencies. "We are the buffer -- so the girl doesn't look bad. We take the heat."

Just like the Tom Ford-clad armies that handle the affairs of the Brad Pitt s and Charlize Theron s on the other side of the hill, the Valley-epicentered adult industry is led by a cadre of talent agencies that cut deals and jockey to represent the stars of tomorrow. The skill sets are, in many ways, the same -- tenacious negotiating and maintaining strong industry relationships -- but there are, of course, different responsibilities, such as advising on whether a client should get a boob job (well, maybe there is some crossover there) or agree to perform a double-penetration scene (if you have to ask, don't).

And where there were only two or three reputable adult agencies 10 years ago, now 14 agencies are licensed and bonded, though top shops L.A. Direct Models, 101 Modeling and Spiegler Girls dominate the upper echelon of performers. None would discuss how much money they make, but observers say that top agents can pull down $250,000 a year from their 10 to 15 percent takes. "It's very competitive, and the well-known agencies do control most of the talent," says Dan Miller , executive managing editor of industry trade magazine XBIZ . "It's just like Hollywood in that regard."

One might be inclined to think of porn agents as elevated pimps. Indeed, the many unlicensed, fringe representatives in the adult industry are dubbed "suitcase pimps" by their legitimate brethren because of their penchant for depositing a client and a suitcase filled with her personal effects at a shoot and returning once the work is finished to collect her and the money. They also take commissions of more than 20 percent, which is the maximum allowed by California's Labor Commissioner.

But there is an actual skill and finesse to the real porn agents, even if negotiating deals is relatively straightforward. Unlike in Hollywood, most adult performers charge set rates, so the conversation often centers on the availability of an actor. Still, agents also help clients set up personal websites, arrange for transportation and even make sure performers are staying on top of their mandatory drug-testing regimens. As if to illustrate this point, during an interview, Spiegler interrupts the conversation to answer his phone and discuss the scheduling of a blood test at Cutting Edge Testing in Sherman Oaks, a facility popular with adult entertainers.

The number of permits issued for X-rated productions plummeted about 90% to just 40 permits last year compared with 2012, according to data from FilmL.A. Inc., the nonprofit group that handles film permits for the city and county. Only 20 permits have been issued so far this year.

"We've seen a dramatic drop in permits," said Paul Audley, president of FilmL.A. "It is a cause for concern that people who are manning the cameras, lights and other things on those sets are not working anymore.... It's not helpful to have another segment of the industry leave the region."

The decline in permitted shoots for adult entertainment comes at a time when L.A.'s workforce has been hammered by one of the state's highest unemployment rates. The entertainment industry has also been hurt by the flight of mainstream movies and TV shows to other cities and states offering tax breaks and rebates.

Although critics say it's unclear how many companies may be filming illegally without permits, porn producers say they're taking their business to other counties in Southern California, as well as Nevada, Florida and Eastern Europe, where they say they face fewer regulations. The industry also has been forced to downsize amid declining DVD sales and free porn on the Internet.

"We're not shooting in L.A. anymore," said Steven Hirsch, founder and co-chairman of Vivid Entertainment. "We'd like to stay here. This is our home, where we've produced for the last 30 years. But if we're forced to move, we will."

"This month we're shooting 10 movies in Brazil," said Kelly Holland, managing director for Penthouse Entertainment. "Last month, we shot five movies in Europe. It's just too complex to shoot here."

Although porn production accounts for less than 5% of all film permits, the industry has traditionally been an important contributor to the local economy. A decade ago, local economists estimated that the porn industry in the San Fernando Valley generated 10,000 to 20,000 jobs annually and had $4 billion in annual sales.

"We're not just talking about actors or the filmmakers, but everyone from the grips and caterers to assistants," Waldman added. "These are people who live in the San Fernando Valley, buy homes, cars, send their kids to school and go to the dry cleaners. If they move, all the money goes with them."

Porn stars aren't particularly keen on being studied. But they are the focus of great public interest and moral debate, which may explain why one man's in-depth analysis of adult film performers went viral last week.

The average adult film actress is a brunette with a B-cup named Nikki, at least according to blogger Jon Millward, who spent six months analyzing the demographics of 10,000 porn stars drawn from the Internet Adult Film Database. But what's known about porn stars beyond their breast size? Remarkably little, thanks to practically zero research funding and a community wary of researchers.

"The average span of a performer's career is usually only about six to 18 months, so the benefit of participating in these things isn't usually apparent to the people who are in it at the time," Kayden Kross, an adult film actress and writer, told LiveScience.

Not only that, Kross said, but many actresses are reluctant to help researchers, because they're worried that the studies will be used against them by anti-pornography activists . [ The Sex Quiz: Myths, Taboos and Bizarre Facts ]

"The difficulty with this population has always been access," said James Griffith, a psychologist at Shippensburg University in Pennsylvania and one of the few scientists to delve into the subject. "It's a very difficult population to define."

This lack of research is notable given the number of stereotypes about porn actresses, particularly that they have high rates of childhood sexual abuse and psychological problems. Though it's hard to know for sure without more extensive studies, early explorations have found these stereotypes fail to hold up. Ultimately, the findings could lead to better understanding of sexual health, sexual identity and other aspects of the high-grossing porn business.

The stereotypical porn actress — with enormous breasts and blonde hair — doesn't match reality, Millward found. In fact, the most common bra size among porn stars is a 34B, compared with 36C for the average American woman. High obesity rates among the public may explain some of the discrepancy in breast size; porn actresses are also thinner than the average American woman. According to the numbers given on Internet Adult Film Database profiles, the average female porn star weighs 117 pounds (53 kilograms), which is 48 pounds (22 kg) less than the average American woman. [ 5 Myths About Women's Bodies ]

Nor are blondes as dominant as might be expected. Only 32.7 percent of porn actresses have blonde hair, whether natural or dyed. About 39 percent have brown hair, 22.5 percent have black hair, and only about 5 percent are redheads.

Tasha Reign (TR): I’m in bed right now… My call time today, unusually, is at 12pm in Calabasas [northwest LA]. I still have to pack my anal toys for set, wash up, [go to] Starbucks, and get my booty on the road.

Usually my call times are at 8am. Tonight after I get off I’ll go to my bestie’s house and grab drinks and dinner before I fly to Pittsburgh tomorrow to dance at a club. This makes my job seem way cooler than I thought… Oh yeah, today I get to bang a hot girl!

Jessica Drake (JD): It depends on what I’m doing, but let’s say I’m directing one of my instructional DVDs. I’d get up early, get catering ready, get into make-up, wait for my crew to arrive. Assemble everyone at the start of our day and go over the shoot schedule and what everyone can expect.

As my talent is getting ready, I go over things with my cameramen and lighting guys and prepare the first set. I begin shooting – interviews, demos, and then finally the sex scenes. We shoot all day and usually quite late at night. At the end, we usually leave lights and equipment set up for the next day’s first set, which is my narration for the project, and anything else I might need covered. Depending on how late we wrap, we may have a later call time the next day.

Kelly Madison (KM): My husband, Ryan, and I have a giant antique desk with dueling computers on it. He rises at 5am, whereas I’m doing fantastic if I’m on it at 8am. We begin our day making sure the sites are working, that there are no problems, and that customers are happy. Then we make our gameplan for the day.

Just keeping track of the props, furniture, jewellery, and clothes that we use for the models, and the basic upkeep of the residences with eight in-house employees is a full-time job. I work, I cook, I walk dogs, I go to bed, and once a week I shoot some porn for my site and give my husband a blow job here and there.

Little Red Bunny (LRB): I love movies, mixology, yoga, music, travelling – even though I don’t take much time to do it – and good food. Sometimes I like cooking, and other times I like going out to restaurants to treat myself and get inspiration for cooking ideas to try at home. My love for music, food, and travelling all come from my passion for international cultures – and I think these things really help give you a true sense of places.

KM: Right now I am caring for my sister who is suffering from stage 4 uterine cancer. She lives in Vegas, so I do quite a bit of back and forth juggling between her care and my business…so right now I would say driving on the 15 freeway is my new hobby!





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